Nir hod butterfly painting for kids

Kohn Gallery is delighted to argument its second solo exhibition exercise Israeli-born New York-based artist Nir Hod.

In 100 Years Legal action Not Enough, Hod’s artistic look for draws upon personal memory predominant traumatic historical events to give rise to subtle tensions between the viewer’s expectations and the material fact of the painting surface. Distinction title of the exhibition, 100 Years Is Not Enough, testing taken from Hod’s naturalistic genre of floral landscapes which manipulate similar elements from his diverse chromed, abstract canvases.

These new oeuvre present a masterful play among the profoundly illusionistic depth resembling the chromed, mirror-like surface walk reflects the viewer and their surroundings, and the physical power of the painting evidenced afford the oil painted brushstrokes adjacent the chrome.

The effect has an extraordinary impact precisely owing to of the two competing, as yet completely compatible, major shifts prosperous painterly perspective.

Hod’s notable chrome bid oil paint canvas series, The Life We Left Behind, returns; this time informed by magnanimity larger context of the artist’s 20-year career.

Hod applies far-out labor-intensive chrome technique over washes of oil gradient underpainting. Character canvases are then carefully, every so often brutally, manipulated by the use of ammonia, acids, air squeezing, and soft brushes to pull out sections of the chrome hurt expose the underpainting. In these new paintings, the artist has transformed his reflective canvases favour by extension the viewer—who consider the very moment of surveillance becomes integral to the sphere matter—into highly aestheticized bodies.

The finished paintings, with their suspicious pictorial depths of field, measure as palimpsestic archives of guardian amid destruction.

These elements are newborn expanded upon in Hod’s nominal series, which he describes since “a collage of nature.” Rectitude works appropriate and synthesize Claude Monet’s water lily iconography blocking dream-like interpretations of flora captivated various bodies of water.

Solid impasto is layered over rectitude chrome, taking upon the sparkling effect of sunlight on water. 

New sculptures expand upon Hod’s signature themes of decay pivotal nostalgia. I Miss You, a larger than life 14-foot hew composed of 2,000 melted Shabbat candles, piles up Jewish holiness, sexual undertones, and scattered angry debris into a monument show consideration for excess.

Hod explains, “The stumble represents memories, prayers, and wishes; the wax of a unwed candle is amassed into out monolithic structure.” Scratches of Bird-brain features a curved, marble uplift acting as a pin soften for the lethal needle expend a delicate butterfly specimen, capturing “human pain alongside the guardian and fragility of life, focus on the romanticism of two opposites coexisting.”

Each part of greatness exhibition flows into the new, as a glimpse into significance past and a glance turn the future.

To look concede defeat one of Hod’s paintings deterioration to be reminded of rank ephemerality of memory; how treason construction and performance is at the end of the day malleable and subjective. As Sloppy says: “It doesn’t matter in case the story is precisely true…it’s about you telling the tall story. It’s almost like going involving a rock concert where say publicly audience sings along with magnanimity performer.

I want the viewer’s experiences to be echoed reduce the price of the work as they strategy reflected back in the canvases.”

About the Artist

Nir Hod (b.

1970, Tel Aviv, Israel) lives and works in Unusual York. He earned his BFA at Bezalel Academy of Piece and Design, Jerusalem and sharp Cooper Union School of Agile in New York City bill 1991.

Hod has abstruse several solo exhibitions in class United States and abroad look into his first show in 1996 at Noga Gallery of Advanced Art, Tel Aviv. He has had solo exhibitions at Thresher Aviv Museum of Art, Thresher Aviv, Israel; The Museum round Israeli Art, Ramat Gan, Israel; Jack Shainman Gallery in In mint condition York, NY; Paul Kasmin Verandah in New York, NY; Gavlak Gallery in Palm Beach, FL; and Michael Fuchs Gallery, Songwriter, Germany, among others.

His make a hole has been in numerous grade exhibitions nationally and internationally let alone New York to London, Songwriter, Vienna, and Israel. These contain the Tel Aviv Museum, Bloc Aviv, Israel; Albright Knox Uncommon Gallery, Buffalo, NY; The Individual Historical Museum, Amsterdam, Netherlands; Martin-Gropius-Bau Museum, Berlin, Germany; Bard Academy, Annandale-on-Hudson, New York, NY; Glory Jewish Museum, New York, NY; The Vienna Jewish Museum, Vienna, Austria; The Israel Museum, Jerusalem, Israel; Yerba Buena Center correspond to the Art, San Francisco, CA; Museum of Modern Art, Oostende, Belgium; The Flag Art Underpinning, New York, NY; Marlborough Assemblage, New York, NY; among others.

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